In the summer of 1200, the youthful Ex-Emperor Go-Toba commissioned a score of outstanding poets to compose sets of a hundred poems, which have come to be known as the _Shōji hyakushu_. To his dismay the 38-year-old Fujiwara Teika was not invited to participate, and it was only after much intercession had been made on his behalf that his name was added to the list. In a frenzy of activity Teika spent two weeks composing his sequence of a hundred poems and finally submitted his work one day after the deadline.

The result was Teika's _Hundred-Poem Sequence of the Shōji Era_, a composition which contains some of the famous poet's best poems and won for him imperial favor.

Professor Robert H. Brower is well known for his published work on medieval Japanese court poetry. In this monograph, he describes the political and poetic rivalries behind Teika's nomination, outlines the development of poetic sequences, and presents an annotated translation of Teika's set of a hundred poems.

Robert H. Brower is Professor of Japanese and Chairman of the Department of Far Eastern Languages and Literature at the University of Michigan.

A _Monumenta Nipponica_ Monograph, #55.

[Part of this book has been previously published as: "Fujiwara Teika's Hundred-Poem Sequence of the Shoji Era", Brower 1976 https://www.gwern.net/docs/japanese/1... / "Fujiwara Teika's Hundred-Poem Sequence of the Shoji Era [Continued]", Brower 1976 https://www.gwern.net/docs/japanese/1... ]